Art, design, craft, culture.



Embroidery – May/Jun 2026

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With a wealth of fresh content, the May/June issue of Embroidery magazine is brimming over with uplifting and thought-provoking stories.

Our cover feature, part two of Stitch in Strange Places @hillary.waters, showcases artists for whom the ‘canvas’ has been replaced with everything from leaves and aluminium drinks cans to a £5 note and a vintage fish knife. This necessitates thinking outside the frame, with ingenious approaches to materials, tools and methods, resulting in innovative artworks.

See the exuberant and joyous designs of the Collier Campbell sisters @colliercampbelldesign, and meet an Australian artist practising eco-conscious ‘upholstery art’, who revolutionised her life and business when she learned how many plastic toothbrushes go to landfill.

‘Couture critters’ are the topic of Rachel Gooden of @stitch_and_bone, whose intricate stumpwork and embellishment takes anywhere from 40 to 120 hours for each piece. Minute worlds can also be discovered in our in-depth dive into Sew Dainty: The Art of Tiny Stitches, the Embroiderers’ Guild exhibition drawn from their collection.

The gigantic gets a look-in too, with @ema.shin enormous 2.7-metre tall heart, a commission at the centre of the 25th Biennale of Sydney. Read about the ideas behind the work and discover more about its construction.

Profiles of exciting Fresh Talent artist Laetitzia Campbell @laetitziacampbell and of Manya Goldman’s @goldie._.m practice look at memory and the passing of time, while Offbeat Artist features young Royal School of Needlework graduate Gwyneth Melling @gmelling_embroidery, who has let her imagination run free to create left-of-field embroideries.

In The Sewing Room we step inside @casholmestextiles two work rooms, while a duo of absorbing First Person features come courtesy of Michala Gyetvai @michalagyetvai and multi-award-winning artist @ruthharriestextiles

There’s plenty more, with previews of @londoncraftweek and @fringeartsbath, the winners of NEA 2026, out and about ideas, news, Take 5 Books, reviews and what’s on listings.

We are proud to be the magazine of choice for people with an interest in creative, innovative stitched work and textiles including students, textile artists, gallery owners and curators.


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  • Our mission

    Our mission is to bring you the best of embroidery and textiles, talking to makers and artists who share their passion for embellishing the surface with us – giving our readers a unique insight into all facets of this sumptuous craft

  • Our history

    Embroidery magazine is published six times a year and first rolled off the press in 1932 – making it one of the longest standing textile magazines published today. The Embroiderers’ Guild has digitised the complete archive of its publication Embroidery magazine as well as The Embroideress. Dating back to 1922, containing over 450 issues the new archive is available for institutional and individual subscriptions and is seamlessly available across web, iOS and Android devices. https://bit.ly/EmbroideryArchive

  • Regular features

    Each issue of Embroidery magazine features in-depth artist profiles, artist’s essays, reviews of the latest textile books and exhibitions, news & listings of fashion and textile exhibitions in the UK and abroad, along with inspirational images

  • Subscribing to Embroidery magazine

    Embroidery magazine is available on subscription for both print and digital and we deliver worldwide

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Feel Inspired

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Amanda Cobbett began life as a designer but is now wowing a whole new audience with her hyperreal take on the natural world, in particular her machine embroidered 3D sculptures of fungi. This feature was written by Deena Beverley and published in the November/December 2019 issue


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Ann Goddard was announced as winner of the inaugural Vlieseline Fine Art Textiles Award in 2019 and was interviewed by Jo Hall for the January/February 2020 issue.


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Rozanne Hawksley found her métier whilst teaching at Goldsmiths in the 1970s. She developed a singular art practice that reflected upon the subjects of war, loss and the abuse of power. June Hill spoke to Hawksley as part of Embroidery’s ‘pioneer’ series, which examined the careers of leading embroiderers of the late 20th century.

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